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Weep Not, Child (Penguin African Writers Series), by Ngugi wa Thiongo
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Review
“One of the greatest writers of our time.” —Chimamanda Ngozi Adichie, The Guardian“His novels . . . have been deservedly canonized by the iconic [Penguin Classics] series.” —The Wall Street Journal“One of the signal novels to emerge from an artist listening to both the well of tradition and the troubled oracles of his time . . . In Weep Not, Child, Ngugi’s art is at its purest. To my mind it is classic Ngugi, his Romeo and Juliet, his tale of young love set against the backdrop of opposing families and a world seething with violence and injustice.” —Ben Okri, from the Introduction
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About the Author
Ngugi wa Thiong'o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. He lives in Irvine, California, where he is Distinguished Professor of English and Comparative Literature at the University of California, Irvine.Ben Okri won the Booker Prize in 1991 for his novel The Famished Road. He was born in Lagos, Nigeria, and lives in London.
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Product details
Series: Penguin African Writers Series (Book 3)
Paperback: 176 pages
Publisher: Penguin Classics; Reprint edition (June 5, 2012)
Language: English
ISBN-10: 9780143106692
ISBN-13: 978-0143106692
ASIN: 0143106694
Product Dimensions:
5.1 x 0.5 x 7.7 inches
Shipping Weight: 5 ounces (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
30 customer reviews
Amazon Best Sellers Rank:
#158,199 in Books (See Top 100 in Books)
A personal experience of growing up with the devastating impact of British colonialism in Kenya. The main character allows you into his personal life, feelings, hopes, dreams, sadness and trauma.
The book is an easy read. We read it for class. It's a short story about a boy growing up in Kenya. A lot of sad things happen to him but he is always optimistic... That is, until the end.
If ever you want to understand African culture, and survival. It was a hard book to read, sad and interesting. A must read!!!
Ngugi story Weep Not Child presented a story of conflict, determination and disappointment. Great story that keeps your imagination of a village in a distant land but you could see it, feel its struggles and the characters dispositions as the story was told. Great book and great author.
This is the author's second book am reading. I had read the River Between in high school. I'm glad that on this second reading I am more appreciative of his work.Set in the background of pre-independence Kenya, this is indeed precious literature. You're more likely to hear myths and unfounded stories than come across a book written in the 1950s and 1960s - by an African writer.The author narrates the novel around political violence, colonialism, adolescence and an implied love story. What I found most interesting though is stories of how families participated in the rebellion against colonialism, particularly the Mau Mau uprising. History is structured in a way that shines more light on heroes such as Jomo Kenyatta, but while they gave the face to the struggle, these families did most of the groundwork. They paved the way for African independence, and their stories deserve as much attention.I applaud the author for trying to use African language for a good part of the book. We may have a wider base of readers when African literature is written in English, but we may also end up losing many of our languages while doing so. And I doubt that some African stories, proverbs and songs have an English translation at all.I look forward to reading more of Ngugi wa Thiong'o's books in the near future.
Had to read it for class... Good book though
Like many of Wa Thiong'o's books, this novel deals with the question of Kenyan Independence and the Mau-Mau. But unlike "a grain of wheat", this conflict is not the theme of the novel, but the backdrop.The story itself centres around a family that has lost its land to the colonial settlers, a psychological portrait of how the farmer, the soldier and the child deals with the changing world around them. Crucial to the book is the child Njoroge, a schoolboy whose thirst for education and diligent Bible study blends into an almost Messianic vision, a vision that shines the brightest when the conflict around him is at its peak. A conflict, it is revealed, he cannot escape...It is this Icarus motif, coupled with the Romeo and Juliet-like love story that accompanies it, that reveals the complexity of the author. A post-colonial writer? By most definitions, yes. But also a man that knows the subtlety of the human soul.
This book brought tears to my eyes.
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