Kamis, 14 Desember 2017

Ebook I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer

Ebook I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer

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I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer

I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer


I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer


Ebook I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer

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I Too Sing America: The Harlem Renaissance at 100, by Drew Sawyer

Review

"One measure of an exhibition catalogue’s quality is the degree to which it makes you want to go see the exhibition. In the case of this volume, let us just say that, since picking it up, I have been wracked with pain that I have not been able to visit the Columbus Museum of Art to catch the show it accompanies, which runs through January 20. It is a sumptuously illustrated tome, with reproductions of pieces, variously iconic and little-known, by Palmer Hayden, Loïs Mailou Jones, Jacob Lawrence, Augusta Savage, Horace Pippin, and many, many more. Haygood is a biographer and journalist (famed for writing the story that became the film The Butler), and he’s accomplished the rare feat of weaving together rich scholarship with luminous prose. Including contributions from a variety of experts, it takes an expansive view of its subject, looking not only at visual art but vernacular photography, writing, and periodicals of the movement. 'The Harlem Renaissance lives,' Haygood writes. 'It sings. It continues to do its part to explain America to itself, and also to the world.' This book is a superb vehicle for that remarkable story. —Andrew Russeth"Celebrating the centennial of the creative and intellectual flowering, “I Too Sing America” is a unique exploration of the subject that brings a journalist together with his hometown museum and the community where he grew up in Columbus, Ohio... Titled after Langston Hughes’s iconic poem, “I Too Sing America” considers the Harlem Renaissance “as a movement not confined to either upper Manhattan or the interwar period, but as a historical moment of national and international significance that continues to have reverberations far beyond its typically noted end date in the mid-1930s.” The catalog is a wonderful volume lavishly illustrated with the art and photography that defined the Renaissance. Haygood’s essays on how Harlem emerged as the mecca of Black America, the feverish publishing the period sparked, the dance, theater, and music the era engendered, the two Reverend Powells, and W.E.B. Du Bois, Langston Hughes, and Zora Neale Hurston, appear throughout the volume. His contributions are punctuated by writings about individual visual artists, including Malvin Gray Johnson, Winold Reiss, Aaron Douglas, Palmer Hayden, Augusta Savage, and James VanDerZee, authored by the museum’s curators." —Culture Type 

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About the Author

Wil Haygood, guest curator for the Columbus Museum of Art's I Too Sing America: Harlem Renaissance at 100, is a Guggenheim and National Endowment for the Humanities Fellow. Haygood has written 4 biographies of major Harlem figures who were all touched by the Harlem Renaissance. His King of the Cats: The Life and Times of Adam Clayton Powell, Jr., was a New York Times Notable Book of the Year. In Black and White: The Life of Sammy Davis, Jr., won the Richard Wright-Zora Neale Hurston Literary Award, the Deems Taylor Biography Award, and the Non-Fiction Book of the Year Award from the Black Caucus of the ALA His Sweet Thunder: The Life and Times of Sugar Ray Robinson, was a PEN/ESPN Book Award Finalist. Showdown: Thurgood Marshall and the Supreme Court Nomination that Changed America received the Scribes Book Award, the Ohioana Book Award, and the Honor Book Award from the Black Caucus of the ALA.At the Columbus Museum of Art, Carole Genshaft is Curator at Large, Anastasia Kinigopoulo is Assistant Curator, Nannette V. Maciejunes is the Executive Director, Drew Sawyer is Head of Exhibitions and William J. and Sarah Ross Soter Associate Curator of Photography,

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Product details

Hardcover: 248 pages

Publisher: Rizzoli Electa (October 9, 2018)

Language: English

ISBN-10: 9780847863129

ISBN-13: 978-0847863129

ASIN: 0847863123

Product Dimensions:

9.1 x 1.1 x 11 inches

Shipping Weight: 3.5 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#60,583 in Books (See Top 100 in Books)

i love this book. it's very comprehensive, with lot's of colored pictures.i received it in a timely fashion. described accurately

A stunning book to leaf through with compelling text--a reminder of the enormous talent pool that resided in Harlem in the late twenties.

From October 19, 2018 -- January 20, 2019, the Columbus Museum of Art presented a large exhibition "I Too Sing America" in celebration of the 100th anniversary of the Harlem Renaissance. The precise dating and nature of the Harlem Renaissance is subject to debate, but it is generally thought to run from the end of WW I to the early 1930s. The exhibition has been combined with other activities in the City of Columbus celebrating the Harlem Renaissance. The commemoration of the flourishing of the arts in Harlem is a worthy project for any city to undertake. In Columbus, the project was the result of a collaboration which began in 2015 between the Museum of Art and Will Haygood who was born in Columbus. Haygood has written well-received biographies of several figures associated with Harlem, including Thurgood Marshall, Adam Clayton Powell, Jr. Sugar Ray Robinson, and Sammy Davis, Jr. As a native son, Haygood worked closely with the museum staff and curators on the content of the exhibition.Although I didn't travel to Columbus to see the exhibition, I was able to do the next-best thing by finding this new book based on the exhibition "I Too Sing America: The Harlem Renaissance at 100." The book includes many paintings, photos, sculptures, and artifacts shown at the exhibition and includes as well many items not part of the exhibition. The book also includes lengthy textual material. Haygood wrote the historical sections giving an overview of the Harlem Renaissance and its major figures. Scholars and curators at the Columbus Museum of Art wrote the sections involving the many artists whose works are featured in the book.Langston Hughes' famous 1926 poem "I, Too, Sing America" is presented at the beginning of the volume and gives the book and exhibition their theme. The book shows an extraordinary output of feeling and thought about the United States, Harlem, African American life, and the spirit of individual creativity. It shows the great cultural achievements resulting in part from the return of African American soldiers from the War and from the Great Migration to northern cities from the South. Many people will be familiar with some of the major figures, but most people will have their understanding of the Harlem Renaissance broadened and deepened by this book.Figures such as Langston Hughes, Adam Clayton Powell (father and son), Zora Neal Hurston, and W.E.B. DuBois receive substantial attention. But for me the heart of the volume was the images of the artwork. The book features many paintings by artists including Archibald Motley, Aaron Douglas, Allan Rohan Crite, Jacob Lawrence, and others. The reader meets gifted sculptors including Augusta Savage and Richmond Barthe. James Van Der Zee became a renowned photographer of the people and places of Harlem, and his work receives a great deal of deserved attention in this book together with a collection of African American vernacular photography taken mostly by amateurs. The illustrations show the gamut of life in Harlem from the streets and from the poor people to the buildings, frequent parades, tenements, and jazz clubs. The book shows a Harlem teeming with promise and with intellectual and artistic life. It is moving and inspiring. I learned a great deal about the Harlem Renaissance and wanted to learn more about many of the figures in this book that hadn't been familiar to me.In Haygood's words concluding this book, the Harlem Renaissance continues to sing. He writes."So the Harlem Renaissance lives. It sings. It continues to do its part to explain America to itself, and also to the world. Hardly a racially charged political moment has gone by since the 1960s when a poem or a quote from the renaissance hasn't been summoned. It constantly reminds us of a group of gifted artists who had their backs against the wall within the borders of their own country, and how their genius took flight."The Columbus Museum of Art deserves kudos for its exhibition and book. It gives a view of a sometimes underappreciated source of America's vibrant cultural life.Robin Friedman

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