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About the Author
Tim Pilcher is the co-author of The Essential Guide to World Comics, and has contributed to numerous other books. He was an assistant editor at Vertigo Comics and an associate editor on Comics International. He lives in Brighton, England. Gene Kannenberg, Jr., is a respected historian of comics and the director of ComicsResearch.org. He serves on the board of the International Journal of Comic Art, and lives in Hudson Valley, New York. Alan Moore is the author of the acclaimed graphic novels Watchmen, V for Vendetta, and From Hell. His long-awaited erotic graphic novel, Lost Girls, was published in 2006. He lives in Northampton, England.
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Product details
Hardcover: 192 pages
Publisher: Harry N. Abrams; 1 edition (March 1, 2009)
Language: English
ISBN-10: 0810972778
ISBN-13: 978-0810972773
Product Dimensions:
9.8 x 0.8 x 9.8 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
3.3 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#915,822 in Books (See Top 100 in Books)
This book has the whole background, good and bad, on the comic book industry, censors, artists.How the whole mix came together to accurately reflect America from the '70s on.Better, and more educational, than the sanitized version we got in school.
Well written, with illustrations that are hotter than real life. Even without the text it's well worth a look just for a hand job! Perfect reading for a night home alone in bed! dianefromcarroll@yahoo.com
Other quality stimulating erotica out there as a whole not too offensive or degrading: Fireside Orgies, Naughty Escapades, Visions of Giovanna, Casotto, Omaha Collection 1, Felines, Great Moves, Stray Moonbeams, Attractive Forces, Erotic Comics 2, Just Bloomed, Pirate Queens Booty, College of Erotic Sciences, Three of a Kind, Magarya, Tharnara & Juda, Nagarya, Frollo, Little Ego, Fairy Tails, Wet and Wild, Leather and Lace, Devil's Whisper, Barbarian Chicks and Demons etc.- Note: Although some of these titles sound depraved, they as a whole they aren't nearly so bad as the titles may convey... or like me you can just cut or tear out the offensive parts as much of it very well done (Why is there so much talent yet so little sensitivity, respect, empathy and humanity towards one another...especially women, portrayed sexually)???.
I ordered this book because I am working on research Japanese pornographic comics and I thought it would be a nice gift to myself to learn a little bit about Western erotic comics. The book is large, well-printed, and it would make an excellent coffee table book, if you are the sort of person (like me) known to all your friends to be a fan of porn and comics.But, having read the sections on the Japanese side, I'm not sure if I can trust the info on the European/American side!Maybe that's not fair. The issue with the Japanese section is not quite the information: a lot of the copy is okay, simplified and exoticized, but that's what I would expect. Some of it is wrong or silly, but I'm sure if I made a list of specific complaints, I would be accused of academic quibbling.The bigger problem is, hilariously, the pictures! First of all, the lolicon page doesn't show any examples of lolicon, which is not surprising given the sensitivity of the material and the difficulty it poses to publishers, but putting artists like Mizuno Junko on a page explicating lolicon seems disingenuous and confusing -- she's a ladies' mangaka or a cute-horror artist, not in lolicon at all AFAIK. Even the Yui Toshiki and Kondom examples aren't lolicon, though they're at least primarily pornographic artists; I'd put them in a section on monster/animal or general weird body erotic manga. Still, it makes sense that the publisher would hesitate to publish lolicon, even in non-erotic examples.More surprising, however, are the pages on shounen ai and yaoi: there's one image of a cover of June, an appropriate example, but all the other images are of gay manga, a separate and very distinct genre! Gay manga are comics about gay men written by/for gay men and generally emphasize size and masculinity; shounen ai and yaoi (really, BL) are about gay men but written for women and usually feature feminized men or boys. If you've ever seen Kaze to Ki no Uta, an example of 70s shounen ai mentioned in the description, you would be shocked to see it illustrated with images by Tadame Gengoro, a prominent gay manga artist: the characters in Kaze are young beautiful boys and the sexuality is more suggestive than explicit, while the illustrations by Tadame here show hairy, muscular men engaged in explicit penetration. Gay manga is a very interesting and underpublicized genre (in the West and in Japan!), so it would have been great to see a section on it in this book, but using it to illustrate shounen ai is strange and shows that Pilcher wasn't really interested in researching shounen ai/yaoi/BL enough to find good and interesting examples of erotic art within the genre(s).Anyway, I'm still looking forward to the rest of the book, but I just wanted to warn everyone else not to rely on the info or the images too much. I know it's not an academic text, so I was ready to laugh off simplifications/mishaps in the writing, but the image mistakes are just silly and unfortunate.
wonderful book, highly recommended for any one that enjoys this art , really enjoyed the history that it covered, great book !!!
Interesting overview of this matter, although I expected more a critical analysis on the history of erotic comics. I'm very happy I met Giovanna Casotto in this book. She's amazing: she's a woman herself, she masters her drawing skills and she's not vulgar, but very ... erotic.
not what i was looking for but was still very interesting. cant win them all i guess. so-so, so-so & so-so
A good history of naughty comics!
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